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Magda Mayas & Tony Buck - 2012 - Spill: Fluoresce (FLAC, Monotype 50)

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Torrent File Content (7 files)

Description

Music : Other : Lossless
 

Monotype Records mono050.

1	Steel Tide	10:27
2	Coalesce	24:03
3	Galleon	10:43
4	Sermon	19:45

Tony Buck: drums, cymbal, gong, bells, tabla, percussion
Magda Mayas:
piano, clavinet, Tiger organ, harmonium, objects & preparations

I was fortunate enough to see Spill a
little while ago which allowed me a chance to see how this duo would create in front of an audience. These are the
musical decisions that you can either live well by or die by, all in real time. 
In this case, Magda Mayas (piano)
had her back completely turned to drummer Tony Buck. He was facing the audience and she looked like she was performing
to a dark corner of the tiny club. Armed with wires, bells, children's toys, back massagers and a whole host of
other multi purposed everyday items and prepared piano materials, Spill amazed the small crowd with their percussive
lyricism and intuitive conversation. 
On the way out, with album in hand, I has a brief conversation with Mr. Buck
about the overdubbing approach on their latest recording Fluoresce as the record credits piano, Tiger Organ, clavinet,
objects, and preparations to Mayas and drums, cymbals, gong bells, tabla, and percussion to Buck. The question that was
begging to be answered was just how different these two approaches would be.
"Steel Tide" opens the
recording, the first of four lengthy extended improvisations. Mayas sets out to be just as percussive as Buck as she
taps the wood of the piano. Buck begins with bells in what is the first rain drops of the eventual waterfall of
percussive effects that just keep building as the track progresses. Mayas soon gets to what she does best, coaxing
unexpected sounds from her prepared piano. She explores her sound utopia as well as even playing the occasional
untampered key, which does sound odd after awhile.
There is something very addictive to what they are doing. They
create a need for more and skillfully, they deliver. This is what makes the recording so appealing and so different from
the live experience. With the introduction of overdubs, the limitations of the musicians limbs are no longer there, and
the soundscape becomes endless. It is an excavation of sound where Buck digs deep into his bag of tricks to be every bit
as polyphonic as Mayas who in turn is walking through her own sound forest carrying a very large hatchet.
The
longest piece on Fluoresce is 'Coalesce', and even thought it is 24 minutes long, it feels much shorter than
that. It ranges everywhere between someone breathing down your neck and fighting woodpeckers combined with an ever
present grinding that is a warning that if you get too close, you could lose your fingers. Compelling indeed. 
If
anything, Fluoresce is a wonderful exploration in molding an improvisation in a studio setting. Once the first coat of
paint is on the canvas, you can either paint over it or keep adding to it. The trick is sometimes knowing when to stop,
as this duo is clearly aware. - Philip Coombs, freejazzblog.org

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